The stave church had to make way for the church standing there today, probably in the first half of the 1600s. This church is a large, long church, with two narrow wings at the sidewalls, perhaps planned cross wings. In the west there is a tall tower, built as a stave structure, while the rest of the church is timbered. The outer cladding is tarred, and Hamre is one of the most authentic of the timber churches that took over from the stave churches after the Reformation.
The interior is lavish with decoration and inventory. The central part of the late medieval triptych hangs in the nave. It is most likely a North German piece of work from around 1500. The pulpit is from 1640, a key piece of work in the West Norwegian bruskbarokk tradition (a decorative form with twisted and intermingled forms). On the chancel ceiling, painted in 1653 we see the depiction of “The Scouts in Kanaan”, “Jacob’s dream”. “Abraham’s sacrifice” and “Samson fights a young Lion”. The nave has also been richly decorated. What is left of this decorative painting was exposed and restored in 1949. In the chancel we also find the medieval christening font of steatite, copies of a bishop’s chair from the 1690s and a medieval choir stall (the original is now in Bergen Historical Museum). In the tower foundation is the old church door from 1585, and on the wall there is a plank from a fixed bench in the chancel. The plank has two runic inscriptions, one of them as follows: “Here below rests the Virgin Margareta. Pray to Pater Noster for her soul”.
